A lot is known about our famous singers. Through written biographies or TV and Radio interviews we are aware how they got started and where and when they sang a particular song. What is less known though are the stories behind the songs. The lyricists (yeGitim Derassi), the music writers (yeZema Derassi), the arrangers (aqenbabari) and the Bands. Rarely do we see these unsung heroes credited for their contribution. And so, my entries will concentrate on these faceless giants.
In the 1960's, Addis was going through a transformation, a transformation that was influenced by Soul, Funk and Rock. The '50 saw the Imperial Bodyguard, Police and Army Orchestra's as great contributors with the likes of Tilahun Gesesse, Mahmoud Ahmed, Alemayehu Eshete, Bizunesh and Hirut Beqele. After the attempted Coup in 1960 though, the Big Bands gave way to the smaller bands (though by today's standards, these small bands would be considered huge.) Along with the various military institution bands, the smaller bands made a huge inpact in the development of what is termed as the 'Golden Era' of Ethiopian Music.
One of these bandleaders had the great distinction of encompassing the true gift of what most muscians dream off. A lyrcist, a music writer, an arranger, a singer and finally an a accomplished pianist, guitarist and drummer. Unless you're a true lover of Ethiopian music or was a teenager in the the late 1960s and early 1970s (G.C.), you probably have never heard the name Girma Beyene. When the word arranger comes to mind the name that probably pops in one's mind is Mulatu Astatqe. According to Francis Falceto, the famous French producer whose Buda Records is responsible for bringing the Ethiopiques Series, in the heyday of the LP (Vinyl or Shekla) Girma Beyene is credited as arranging close to 65 titles to Mulatu's 40.
Born in Addis Ababa, Girma Beyene completed his primary education at the Nativity Catholic Cathedral School. He started his career as a musician when he received rave reviews for his performance with Girma Bogale on acoustic guitar at the Haile Selassie I Theatre. He was in high school at the time and the critical acclaim he received led him to practice with the Haile Selassie I Theatre Orchestra during his school breaks. In 1961, Girma Beyene and Bahta Gebrehiwot (known for his song "Anchim Endelela") were picked to join the Ras Band at the Ras Hotel from a pool of about 70. According to Bahta, in an interview with Addis Live Radio, he and Girma Beyene were a lot younger than the rest of the band members. When the first Ras Hotel Band renamed themselves The Ghion Band and moved to the Ghion Hotel, the self taught Girma Beyene (he never had formal training in playing music instruments or arranging music) stayed and formed the second Ras Band. He maned the piano while Tesfamariam Kidane was on sax, Feleqe Kidane on trumpet, Hailu "Zehon" Kebede on bass guitar and Girma Zemariam on drums. Seyfu Yohannes and Menelik Wossenachew joined the Ras Band as vocalists.
In 1969, Girma Beyene recorded four tracks for Amha Records:
Set Alamenem (Lyrics by Girma Beyene, music by Girma Beyene and Arranged by Mulatu Astatqe) (it is said that Girma Beyene, an extremely shy person actually went through this heartache, thus a masterpiece was born)
Enken Yelelebesh (Lyrics by Getachew Degefu [a famous Piano player who contributed to the Ethiopian Airlines Instrumentals], Music by Girma Beyene, Arranged by Mulatu Astatqe)
Ene Negn Bay Manesh (Lyrics by Getachew Degefu, Music by Girma Beyene, Arranged by Mulatu Astatqe)
Yebeqagnal (Lyrics by Bahta Gebre Hiwot, Music by Bahta Gebre Hiwot, Arranged by Girma Beyene)
(These four tracks were remastered and release on Ethiopiques 8: Swingin Addis.)
Continue reading ‘Ever heard of GB?’
Published by Ethio Jazz March 15th, 2006 in Music, Noteworthy and Thoughts.