Archive Page 103

Anonymous Speak Series: II 12 Comments

Anonymous Speak Series Continued: What am I learning? well, they come in different shapes and packages; and they all have different preferences in men….so men cant be bring the same old game plan and expect it to work with every woman? Will woman like me for my true self? Is being myself enough? Whatever happened to "I like you" and "you like me" so lets hang out? Ethiopian woman can't live without them can't understand them. There is a thin line between Kurategna and Guregna. well, enclosed specimen 2.

Specimen 2: Early Twenties,  very Single.

1.      What misconception do you think Ethiopian males have about woman?

ET women are to cook and clean for them…that they are all bad in bed…that they're all dramatic…that they're…that they're all stuck up… 

2.      What qualities do you find attractive in a man; other than physical?

Integrity, confidence, humility!!!!!!!!!!!! They three deadliest attractions

3.      What is the difference between Guregna and Kurategna man?

 One is an arrogant bastard who's a bullshitter and the other is confident man with reasons to be so Continue reading ‘Anonymous Speak Series: II’

The inadequacies of life in the U. S. 40 Comments

We just had Fasika last week. We made Doro Wot just like Ethiopia, well not exactly; I mean we had twelve biletoch and eggs in it but the twelve pieces were comprised of only legs. Kind of like the twelve leg packages in plastic wrapper at the local grocery store. Yes a Doro Wot with no Feresgna no Melalacha and especially no MequaDesha, my favorite part.

Yes, we could have meG’enetatal a full chicken. However, it is easier to go with 12 legs. Continue reading ‘The inadequacies of life in the U. S.’

Anonymous Speaks Series 16 Comments

What do Ethiopian women want? I do not know what they want but I would like to know. So I will be asking different Ethiopian woman in my age range, (since I am the one in that is curious) twenties that is. This is so that men who are confused like me can get it from the horse’s mouth. Maybe we men can learn together. And the women can vent about their frustrations. Therefore, the "Anonymous Speak Series" begins and I will be asking different woman the same seven questions. Five of the seven will be mandatory.

Coming up with the questions was tough, so I am looking for your recommendations for questions.

Specimen 1: Late Twenties,  not Single.

1.      What misconception do you think Ethiopian males have about woman?

Most Ethiopian males expect women to go out with them no matter what. If a woman sees something special or attractive from a man, she would show it. There is no reason to be pushing. Men think women are after money, profession, certain kind of men or physical appearance. Most women (like men) can be attracted as well as disgusted right away by one attribute of a man and all the other good or bad qualities would shadow that one attribute and makes it hard for the women to like the guy at first.

2.      What qualities do you find attractive in a man; other than physical?

Several qualities can attract a woman such as respect, honesty and being oneself instead of pretending to be someone else. In most instances, physical attraction is the last thing that would attract me to a man in the end.

3.      What is the difference between Guregna and Kurategna man?

A Guregna man is one who is a show-off, who will say he is a millionaire when he is barely surviving; who will say that he is buddies with someone you look up to when he doesn’t know what this person looks like….

Kurategna man looks at you like a Zinb. If he is among a mixed group, he is the one who keeps quiet although he is your chatty friend at other times. He is or thinks he is physically attractive and flaunts it and wouldn’t give you a split second attention even if you are more attractive than he is; the kurategna almost wants a woman to ask him. Continue reading ‘Anonymous Speaks Series’

Bandochu (The Bands) From Ras to Abyssinia (1961-1991) 1,801 Comments

PART II (continued from Part I)

  

Soul Ekos Band

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Soul Ekos with producer Amha Eshete (late 1960′s) Left to Right-Alula Yohannes, Tesfaye “Hodo” Mekonnen, Tamrat Ferenji, Amha Eshete, Teshome Mitiku, Feqade Amdemesqel & Tewodros Mitiku.

Before they named themselve “Soul Ekos”, the Soul Eko’s were first known as the Zula Band, named after the Zula Club they played at.  The Zula Club was owned and operated by an Eritrean, Tekle “Eisenhower” Gebremichael (1937-1998).  When the Zula Band stopped playing at the Zula Club they changed their name to the Vibrations, before changing it one more time to Soul Ekos.  The band was comprised of Teshome Mitiku (Keyboards/Vocals), later Messele Gesesse took over the Keyboards, Tewodros Mitiku (Saxophone), Tamrat Ferenji (Trumpet), Fekade Amdemesqel later Hailu “Zehon” Kebede (Bass), Tesfaye “Hodo” Mekonnen (Drums), Alula Yohannes later Andrew Wilson (Guitar) and Seyfu Yohannes (Vocals). 

The Soul Ekos were the first independent band to be recorded.  When Mulatu Astatqe returned from the United States in 1968, the two bands he had an opportunity to work with were the Ras Band and Soul Ekos.  It was during this time that Mulatu introduced the Soul Ekos band to Amha Eshete (a piece will be dedicated to this giant, the first independent producer and another well known producer Ali “Tango” Kaifa).  Amha Eshete was taken by the bands sound and agreed to record them in 1969.  The Soul Ekos arranged and played the music to Seyfu Yohannes’ popular songs, Tizita and Mela Mela.  Under their other lead vocalist Teshome Mitiku they recorded 4 songs on vinyl (Shekla).  These songs were:

Gara Ser Naw Betesh-(lyrics by Teshome Mitiku, arranged by Mulatu Astatqe)

Hasabe (lyrics by Teshome Mitiku, music and arrangements by Mulatu Astatqe)

Mot Adeladlogn (lyrics by Teshome Mitiku, arranged by Mulatu Astatqe)

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(lyrics by Teshome Mitiku, music by Abubakar Ashakih, arranged by Mulatu Astatqe) -Abubakar Ashakih (1937-2002) an native of Eritrea, owned and operated two very successful clubs in Addis Ababa, The Venus Club and The Venus Underground (later   named  Dahlak Paradise.)  A wonderful book about him was written by his wife Juith Ashahki, entitled “Gift of Incense”   Yezemed Yebaed was remade with a varied arrangement and released by the Either Orchestra on their CD titled “Afro-Cubism” and its live version was released on  “Ethiopiques 20-Either Orchestra Live in Addis Ababa.”          

The above four songs plus Seyfu Yohannes’ Tizita and Mela Mela were released on Ethiopiques 1                    

Teshome Mitiku and older brother Tewodros started their music studies at Haile Selassie First Day School, later known as Kokebe Tsebeha.  Teshome learnt the drums, trumpet, clarinet and violin under Danish music teacher Paul Bank Hansen.  When Hansen returned to Denmark, he was replaced by two Ethiopian instructors, Getaneh Tadesse and Mamo Demissie.  The school had one of the best marching bands and orchestra at the time. Other students included Tamerat Ferenji (Trumpet), Tesfaye “Hodo” Mekonnen (Drums), Tamerat “Lotti” Kebede (Drums), and Tekle Yohannes Zeke (Trumpet), and Moges Habte (Saxaphone), who went on to form The Walias Band.  In 1969, after performing Fano Tesemara( Fano Fano, Fano Tesemara ende Ho Chi Minh ende Che Guevara…) at the Haile Selassie University, Teshome Mitiku was imprisoned for three days.  The harrasement by the police didn’t stop.  His brother, Tewodros, persuaded Teshome to leave Ethiopia.  In 1970 Teshome left first to Denmark and on to Sweden.  While in Sewden he got his masters in Clinincal Psychology.  Teshome now lives in the Washington D.C. area where he is still involved in the music scene.  Tewdros Mitiku on the other hand stayed in Ethiopia and helped form the Ibex Band before fleeing to the US.  There he released two CDs, Teddy’s Mood and Hasabe. (Hasabe was first released on cassette back in 1988 with the Shebeles)      

Alula Yohannes left for Germany soon after and was replaced by Andrew Wilson who hailed from then Rhodesia, now Zimbabwe.  In the mid 1980′s, Alula Yohannes returned to Ethiopia and had a popular song called, “Sentayehu“ (Ethiopian Television repeatedly showed the video through its “Hebret Terit” and “For the Youth” programs). PHOTOS_Page_4.jpg

Seyfu Yohannes refer to Part I–some other songs that Seyfu Yohannes probably did with the Soul Ekos include Yekermew Sew and Meche Dereshe.

Tamrat Ferenji-was born in 1951 in Wellega.  Though he was a trumpet player in the Soul Ekos band, he did release several 45′s in the late 1970′s with the Sensation Band for Kaifa Records.  He sang both in Amharic and Oromiffa.  Tamrat passed away sometime in the mid 1990′s.

The Soul Ekos Band was later renamed the Ibex Band which later became The Roha Band. 

Continue reading ‘Bandochu (The Bands) From Ras to Abyssinia (1961-1991)’

Abby is Staying Alive! 247 Comments

Abeba Lakew (Abby) - Manale.jpgWe are all familiar with Abeba Lakew. A beautiful up and coming Ethiopian singer who grew up mostly in the United States (Houston, TX). She started her musical career in the United States. Good singer with great potential; so I thought, till I heard the latest Album. Specifically the song titled "Egnalay." I was going to write how this song is a sampling or ripoff from the Begee's Staying Alive ; but I'm not, I will let you decide. eh eh eh eh eGnalay!

On a postive note, I do love the song titled Manale!